The world of art supplies can be confusing and it seems like cool new stuff is coming out every day! Listen people, art supply addiction is a thing. I think you should have all the supplies you want - as long as you are USING them. They do you no good if they're just sitting there unused. And guess what? They WILL go bad.

With that in mind, I've put together a few lists of things that I love, use and recommend. Please note that these are affiliate links, and if you purchase supplies through these links, I may get  small commission - thank you for supporting a dream!

​9" x 12" Canson Mix Media Pad: https://amzn.to/39suV2T
Liquitex Basics Acrylic Color Set: https://amzn.to/2MxlDcX
Paint Brushes: ​https://amzn.to/3r2jiFT
Glue or Matte Medium: https://amzn.to/39oOIAm

Mark-Making tools - whatever you have, or feel drawn to. Here are some of my favorites:
​Oil Pastels (My personal must-have!): https://amzn.to/3ou1EsM

Collage ephemera - magazine clippings, junk mail, old books, newspapers
​Palette or paper plates

Not all of the supplies listed below are needed for my acrylic painting classes, and you certainly don't need these exact items. These supplies are just suggestions.
Basically you'll need something to paint on( usually canvas or paper), and something to paint with: (acrylic paints and brushes).
Optional, but helpful: paper and pencil, or (better yet charcoal pencil), a palette knife, and a palette pad. Links to my recommendations below.

We've been exploring a different color each week this month in my art journaling classes. 
It's interesting to be assigned a color to explore (even when you're the one doing the assigning!) We tend to have "go-to" colors that we like to use, and colors that we avoid. Generally speaking, I don't use a lot of red in my work. It's bold and powerful, and can overwhelm. Which is not necessarily a bad thing in art; it all depends on your intent. 

Art can soothe, enrage, amuse, entertain, cause us to think, and feel a whole range of emotions. Color can be a big part of that. How does color influence your art? 

Some things to consider when you paint:

• What am I feeling when I paint, and how does this inform my choice of colors?
• What do I want others to feel when they look at my painting?
• Am I painting for myself or for others? 

There are no right or wrong answers, but it's good to paint with intention.

Above are my art journal pages for Red, and below for Blue. Interestingly, I struggled more with Blue even though I paint with blue more than red in my everyday work.

For Red, I layered magazine images, acrylic paint and oil pastel over my journal writing on the color red.
The first version of Blue has layers of magazine images, a sheet from and old book, acrylic paint, oil pastels, and song titles and lyrics written in pen. All layered over my journal writing about the color blue.

You may have heard me say this a dozen times already, but art journaling is one of the things that is getting me through 2020. I journal with my classes, and I journal at home.

This particular journal I'm sharing with you is my home journal. The journal itself is an old writing journal from 24 years ago. I decided to transform that old pain - and the stress of 2020 - into art.
Almost all of the the art in this book is oil pastel (the art journaling we do in our Thursday classes can include painting, collage and/or oil pastels.)

There is something about oil pastels that really help you to work through things. Emotional things - especially anger and stress. Oil pastels are very tactile. You color with them, smudge them around...it's more physical than painting.
I recommend everyone keep an art journal - whether or not you're an artist. If you don't have oil pastels, try coloring with crayons or markers. If you don't have a journal, color on paper. If you have a journal - even an old one with writing - like the one in the video - make some art it it! Journals are great because you can close the cover when your done. Closing the cover is like sealing the energy: you worked out what you worked out, and you're done with it. 
Also, you are more free to experiment when you're working on paper. People tend to be less precious with their work when it's on paper.

Give a try and let me know how it goes!
​
If you want to art journal with me, you can find the schedule right here, or join my free virtual art community at www.PaintThroughIt.com 
​

​I took a break from painting portraits for a while; several years, actually. While I love the process and the sense of satisfaction I get when the painting is done, I don't love the pressure that comes with a commissioned portrait. 
When I painted Johnny Cash, or Marilyn Monroe, I painted faces that I had been seeing my entire life. But to paint someone I've never met? Now that's a challenge. I really want to capture the subject, and have the person who commissioned it say "Yes, that's it!" 

Don't get me wrong - the people who commission the painting usually give me a lot of artistic freedom. The pressure I feel is from myself. From my inner critic, from my perfectionist, and from me just wanting to do a good job.
Such is the case with the painting above. It's a portrait of a friend's father who recently passed away. She commissioned it as a gift for her sister. It is really an honor being asked to paint a portrait for someone, but to get to memorialize their father? That's just amazing. 

I was excited about the opportunity. I loved the black and white source image she gave me; it was really a moment in time. Here's the thing: I knew the inner critic would pop up. I knew the pressure of wanting to honor my friend's late father would be there. But I was able to paint through all that muck because I knew I could. Experience told me that I would be able to get through it.  

So many new painters want to give up when they're halfway through a painting.
At some point things start to get challenging, and often enough, the painting will start to look bad. It's perfectly normal for paintings to go through an ugly or awkward stage, and that's not the time to give up. That's the time to double down, dig in, and work that paint! Paint through the doubt, the fear, the voice in your head that says you're not good enough.

If you're a new painter, know that that voice may never go away. It's your inner critic and it's there to protect you. After a while you just learn how to deal with it. And until then, you've got me to tell you to keep going.
​
Join us at www.PaintThroughIt.com for inspiration, painting tutorials, and community.

I gotta tell ya, I love art journaling.
I never thought that would happen. I feel like some people begin their art journey with journaling, but it took me over 20 years to get around to it! And once I did, I had to share the process.
My journey teaching art journaling began with one of my Artist's Way courses just about a year ago. After keeping my own art journal, I realized that art journaling was the perfect companion to my Artist's Way Creativity Course. Not surprisingly, the students loved it! And I saw such benefits that I decided to add a stand-alone art journaling class to my schedule.
The classes start the classes in April, and because of covid, they have all been on Zoom so far. It turns out it was perfect timing; keeping an art journal is a great way to process the complex feelings so many of us have right now. And, there is a strong sense of much-needed community in these classes.
We meet each and every Thursday evening and create art around a topic that I've chosen. 
The image above is one of my favorite art journal pieces, created for the word faith. In the art journaling classes I demo a technique, then it's up to each student to interpret that word into her or his own art (or they can just follow me if they like.) 
How does this image represent faith? I guess that's up to you, the viewer, to decide.
Want to get started art journaling? It's easy - you don't need any fancy supplies. You don't even need a journal (although it's a good idea if you want to keep going with it.) Just grab what you've got: some combination of paper, pencils, markers, paint, glue, images (from magazines, junk mail, wrapping paper...)

​

Last year on a trip to Atlanta I found a burned piece of wood in a park. I thought it would make a good drawing tool, so I scooped it up (must have wrapped it in a napkin or something) and brought it all the way back to Denver, where I did this little sketch. 
I wasn't planning on sketching a woman and baby, it just sort of happened. But here's the thing; I don't think this particular sketch would have emerged if not for that particular piece of burnt wood that I picked up a thousand miles from home. 
It's interesting how a different drawing tool can influence one's art.